The Hasheesh Eater by Fitz Hugh Ludlow

III. The Kingdom of the Dream

The moment that I closed my eyes a vision of celestial glory burst upon me. I stood on the silver strand of a translucent, boundless lake, across whose bosom I seemed to have been just transported. A short way up the beach, a temple, modeled like the Parthenon, lifted its spotless and gleaming columns of alabaster sublimely into a rosy air -- like the Parthenon, yet as much excelling it as the godlike ideal of architecture must transcend the ideal realized by man. Unblemished in its purity of whiteness, faultless in the unbroken symmetry of every line and angle, its pediment was draped in odorous clouds, whose tints outshone the rainbow. It was the work of an unearthly builder, and my soul stood before it in a trance of ecstasy. Its folded doors were resplendent with the glory of a multitude of eyes of glass, which were inlaid throughout the marble surfaces at the corners of diamond figures from the floor of the porch to the topmost moulding. One of these eyes was golden, like the midday sun, another emerald, another sapphire, and thus onward through the whole gamut of hues, all of them set in such collocations as to form most exquisite harmonies, and whirling upon their axes with the rapidity of thought. At the mere vestibule of the temple I could have sat and drunk in ecstasy forever; but lo! I am yet more blessed. On silent hinges the doors swing open, and I pass in.

I did not seem to be in the interior of a temple. I beheld myself as truly in the open air as if I had never passed the portals, for whichever way I looked there were no walls, no roof, no pavement. An atmosphere of fathomless and soul- satisfying serenity surrounded and transfused me. I stood upon the bank of a crystal stream, whose waters, as they slid on, discoursed notes of music which tinkled on the ear like the tones of some exquisite bell-glass. The same impression which such tones produce, of music refined to its ultimate ethereal spirit and borne from a far distance, characterized every ripple of those translucent waves. The gently sloping banks of the stream were luxuriant with a velvety cushioning of grass and moss, so living green that the eye and the soul reposed on them at the same time and drank in peace. Through this amaranthine herbage strayed the gnarled, fantastic roots of giant cedars of Lebanon, from whose primeval trunks great branches spread above me, and interlocking, wove a roof of impenetrable shadow; and wandering down the still avenues below those grand arboreal arches went glorious bards, whose snowy beards fell on their breasts beneath countenances of ineffable benignity and nobleness.

They were all clad in flowing robes, like God's high- priests, and each one held in his hand a lyre of unearthly workmanship. Presently one stops midway down a shady walk, and, baring his right arm, begins a prelude. While his celestial chords were trembling up into their sublime fullness, another strikes his strings, and now they blend upon my ravished ear in such a symphony as was never heard elsewhere, and I shall never hear again out of the Great Presence. A moment more, and three are playing in harmony; now the fourth joins the glorious rapture of his music to their own, and in the completeness of the chord my soul is swallowed up. I can bear no more. But yes, I am sustained, for suddenly the whole throng break forth in a chorus, upon whose wings I am lifted out of the riven walls of sense, and music and spirit thrill in immediate communion. Forever rid of the intervention of pulsing air and vibrating nerve, my soul dilates with the swell of that transcendent harmony, and interprets from it arcana of a meaning which words can never tell. I am borne aloft upon the glory of sound. I float in a trance among the burning choir of the seraphim. But, as I am melting through the purification of that sublime ecstasy into oneness with the Deity himself, one by one those pealing lyrics faint away, and as the last throb dies down along the measureless ether, visionless arms swiftly as lightning carry me far into the profound, and set me down before another portal. Its leaves, like the first, are of spotless marble, but ungemmed with wheeling eyes of burning color.

Before entering on the record of this new vision I will make a digression, for the purpose of introducing two laws of the hasheesh operation, which, as explicatory, deserve a place here. First, after the completion of any one fantasia has arrived, there almost invariably succeeds a shifting of the action to some other stage entirely different in its surroundings. In this transition the general character of the emotion may remain unchanged. I may be happy in Paradise and happy at the sources of the Nile, but seldom, either in Paradise or on the Nile, twice in succession. I may writhe in Etna and burn unquenchably in Gehenna, but almost never, in the course of the same delirium, shall Etna or Gehenna witness my torture a second time.

Second, after the full storm of a vision of intense sublimity has blown past the hasheesh-eater, his next vision is generally of a quiet, relaxing, and recreating nature. He comes down from his clouds or up from his abyss into a middle ground of gentle shadow, where he may rest his eyes from the splendor of the seraphim or the flames of fiends. There is a wise philosophy in this arrangement, for otherwise the soul would soon burn out in the excess of its own oxygen. Many a time, it seems to me, has my own thus been saved from extinction.

This next vision illustrated both, but especially the latter of these laws. The temple-doors opened noiselessly before me, but it was no scene of sublimity which thus broke in upon my eyes. I stood in a large apartment, which resembled the Senate-chamber at Washington more than any thing else to which I can compare it. Its roof was vaulted, and at the side opposite the entrance the floor rose into a dais surmounted by a large arm-chair. The body of the house was occupied by similar chairs disposed in ares; the heavy paneling of the walls was adorned with grotesque frescoes of every imaginable bird, beast, and monster, which, by some hidden law of life and motion, were forever changing, like the figures of the kaleidoscope. Now the walls bristled with hippogriffs; now, from wainscot to ceiling, toucans and maccataws swung and nodded from their perches amid emerald palms; now Centaurs and Lapithae clashed in ferocious tumult, while crater and cyathus were crushed beneath ringing hoof and heel. But my attention was quickly distracted from the frescoes by the sight of a most witchly congress, which filled all the chairs of that broad chamber. On the dais sat an old crone, whose commanding position first engaged my attention to her personal appearance, and, upon rather impolite scrutiny, I beheld that she was the product of an art held in preeminent favor among persons of her age and sex. She was knit of purple yarn! In faultless order the stitches ran along her face; in every pucker of her reentrant mouth, in every wrinkle of her brow, she was a yarny counterfeit of the grandam of actual life, and by some skillful process of stuffing her nose had received its due peak and her chin its projection. The occupants of the seats below were all but reproductions of their president, and both she and they were constantly swaying from side to side, forward and back, to the music of some invisible instruments, whose tone and style were most intensely and ludicrously Ethiopian. Not a word was spoken by any of the woolly conclave, but with untiring industry they were all knitting, knitting, knitting ceaselessly, as if their lives depended on it. I looked to see the objects of their manufacture. They were knitting old women like themselves! One of the sisterhood had nearly brought her double to completion; earnestly another was engaged in rounding out an eyeball; another was fastening the gathers at the corners of a mouth; another was setting up stitches for an old woman in petto.

With marvelous rapidity this work went on; ever and anon some completed crone sprang from the needles which had just achieved her, and, instantly vivified, took up the instruments of reproduction, and fell to work as assiduously as if she had been a member of the congress since the world began. "Here," I cried, "here, at last, do I realize the meaning of endless progression!" and, though the dome echoed with my peals of laughter, I saw no motion of astonishment in the stitches of a single face, but, as for dear life, the manufacture of old women went on unobstructed by the involuntary rudeness of the stranger.

An irresistible desire to aid in the work possessed me; I was half determined to snatch up a quartette of needles and join the sisterhood. My nose began to be ruffled with stitches, and the next moment I had been a partner in their yarny destinies but for a hand which pulled me backward through the door, and shut the congress forever from my view.

For a season I abode in an utter void of sight and sound, but I waited patiently in the assurance that some new changes of magnificence were preparing for me. I was not disappointed. Suddenly, at a far distance, three intense luminous points stood on the triple wall of darkness, and through each of them shot twin attenuated rays of magic light and music. Without being able to perceive any thing of my immediate surroundings, I still felt that I was noiselessly drifting toward those radiant and vocal points. With every moment they grew larger, the light and the harmony came clearer, and before long I could distinguish plainly three colossal arches rising from the bosom of a waveless water. The mid arch towered highest; the two on either side were equal to each other. Presently I beheld that they formed the portals of an enormous cavern, whose dome rose above me into such sublimity that its cope was hidden from my eyes in wreaths of cloud. On each side of me ran a wall of gnarled and rugged rock, from whose jutting points, as high as the eye could reach, depended stalactites of every imagined form and tinge of beauty, while below me, in the semblance of an ebon pavement, from the reflection of its overshadowing crags, lay a level lake, whose exquisite transparency wanted but the smile of the sun to make it glow like a floor of adamant. On this lake I lay in a little boat divinely carved from pearl after the similitude of Triton's shelly shallop; its rudder and its oarage were my own unconscious will, and, without the labors of especial volition, I floated as I list with a furrowless keel swiftly toward the central giant arch. With every moment that brought me nearer to my exit, the harmony that poured through it developed into a grander volume and an intenser beauty.

And now I passed out.

Claude Lorraine, freed from the limitations of sense, and gifted with an infinite canvas, may, for aught I know, be upon some halcyon island of the universe painting such a view as now sailed into my vision. Fitting employment would it be for his immortality were his pencil dipped into the very fountains of the light. Many a time in the course of my life have I yearned for the possession of some grand old master's soul and culture in the presence of revelations of Nature's loveliness which I dared not trust to memory; before this vision, as now in the remembrance of it, that longing became a heartfelt pain. Yet after all, it was well; the mortal limner would have fainted his task. Alas! how does the material in which we must embody the spiritual cramp and resist its execution! Standing before windows where the invisible spirit of the frost had traced his exquisite algae, his palms and his ferns, have I said to myself, with a sigh, Ah! Nature alone, of all artists, is gifted to work out her ideals!

Shall I be so presumptuous as to attempt in words that which would beggar the palette and the pencil of old-time disciples of the beautiful? I will, if it be only to satisfy a deep longing.

From the arches of my cavern I had emerged upon a horizonless sea. Through all the infinitudes around me I looked out, and met no boundaries of space. Often in after times have I beheld the heavens and the earth stretching out in parallel lines forever, but this was the first time I had ever stood un-"ringed by the azure world," and I exulted in all the sublimity of the new conception. The whole atmosphere was one measureless suffusion of golden motes, which throbbed continually in cadence, and showered radiance and harmony at the same time. With ecstasy vision spread her wings for a flight against which material laws locked no barrier, and every moment grew more and more entranced at further and fuller glimpses of a beauty which floated like incense from the pavement of that eternal sea. With ecstasy the spiritual ear gathered in continually some more distant and unimaginable tone, and grouped the growing harmonics into one sublime chant of benediction. With ecstasy the whole soul drank in revelations from every province, and cried out, "Oh, awful loveliness!" And now out of my shallop I was borne away into the full light of the mid firmament; now seated on some toppling peak of a cloud- mountain, whose yawning rifts disclosed far down the mines of reserved lightning; now bathed in my ethereal travel by the rivers of the rainbow, which, side by side, coursed through the valleys of heaven; now dwelling for a season in the environment of unbroken sunlight, yet bearing it like the eagle with undazzled eye; now crowned with a coronal of prismatic beads of dew. Through whatever region or circumstances I passed, one characteristic of the vision remained unchanged: peace -- everywhere godlike peace, the sum of all conceivable desires satisfied.

Slowly I floated down to earth again. There Oriental gardens waited to receive me. From fountain to fountain I danced in graceful mazes with inimitable houris, whose foreheads were bound with fillets of jasmine. I pelted with figs the rare exotic birds, whose gold and crimson wings went flashing from branch to branch, or wheedled them to me with Arabic phrases of endearment. Through avenues of palm I walked arm-in-arm with Hafiz, and heard the hours flow singing through the channels of his matchless poetry. In gay kiosques I quaffed my sherbet, and in the luxury of lawlessness kissed away by drops that other juice which is contraband unto the faithful. And now beneath citron shadows I laid me down to sleep. When I awoke it was morning -- actually morning, and not a hasheesh hallucination. The first emotion that I felt upon opening my eyes was happiness to find things again wearing a natural air. Yes; although the last experience of which I had been conscious had seemed to satisfy every human want, physical or spiritual, I smiled on the four plain white walls of my bed-chamber, and hailed their familiar unostentatiousness with a pleasure which had no wish to transfer itself to arabesque or rainbows. It was like returning home from an eternity spent in loneliness among the palaces of strangers. Well may I say an eternity, for during the whole day I could not rid myself of the feeling that I was separated from the preceding one by an immeasurable lapse of time. In face, I never got wholly rid of it.

I rose that I might test my reinstated powers, and see if the restoration was complete. Yes, I felt not one trace of bodily weariness nor mental depression. Every function had returned to its normal state, with the one exception mentioned; memory could not efface the traces of my having passed through a great mystery. I recalled the events of the past night, and was pleased to think that I had betrayed myself to no one but Dr. H. I was satisfied with my experiment.

Ah! would that I had been satisfied! Yet history must go on.

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