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Excerpts:
From Chapter 1: The basic elements of shamanism describe multiple
functions reflected in the roles of its practitioners, the shamans.
As individuals specializing in the performance and the enactment of
rituals, they are also the tribal timekeepers, or custodians of the
calendar. In hunting magic, the shamans foster and consolidate a
vital relationship with Master of the Animals, or an equivalent
figure, thus assuring consistent bounty for their people. As
healers, they employ various methods prescribed by the cultural
norms, including the ability to see the causes of disease and augur
the future. Not less important is the shaman's function as a guide,
or a psychopomp, for the soul of the dead, ascertaining that these
do not become dispersed in the universal vastness, but are assured
proper passages to their respective destinies in the spirit realms.
Last, but definitely not least, is the underscored importance of the
extensive and vital role played by hallucinogenic plants in
shamanistic rituals and imagery, and as crucial factors in cultural
dynamics. The experience acquired in drug-induced visions and
integrated through socially-approved cognitive channels is a major
key to culture change. This force of shamanistic phenomenology
constitutes a pervasive note in this book.
Moreover, the shaman's intellectual abilities are of real social
consequence, particularly as they apply to issues involving the
culture-environment system. Equipped with an impressive corpus of
empirical knowledge (ethnoscience) and profound grasp of human
behavior, the shaman fulfills the vital role of a psychocultural
adaptive mechanism, not merely as a healer of diseases, but as a
harmonizer of social and natural dysfunctions and imbalance. In view
of his ecological significance, the shaman's role as an agent in
transcendental and existential realities tends to be underplayed by
those who regard cultures as systems of more pragmatic and
functional configurations. The importance of the latter two is
undeniable in its own right; however, to de-emphasize symbolic
(religious, spiritual, etc.) considerations is to fail in the
understanding of the full integrative potential inherent to
shamanism as a dynamic factor in the cultural process. Therefore, in
a book, bearing the subtitle Substance and Function of a Religious
Metaphor, the keynote should be, it seems to me, justifiably placed
on the aspect of shamanism as a mythico-religious idiom rather than
on its pragmatic ecological values.
The essence of sociocultural existence is centered around mythic
imagery, which lends to human life an existential dimension. Pure,
rational thought is no more an objective reality than the myths
wherefrom such a concept is derived. Myths make up the fundamental
responses to the basic human need for meaning. The need is an
inescapable condition of human existence, pervading all areas of
interactions: from techno-mechanical and sexual to highly symbolic
and creative. In effect, myths often become cultural expressions for
religious and ethical codes. At the same time, they are of paramount
importance to the enactment of shamanistic rituals. Thus, many such
rituals and the corresponding techniques, found all over the world,
are validated by aetiological mythologies and cosmic paradigms. The
significant place occupied by myths in the shaman's repertoire
becomes apparent to anyone who has devoted some time to this
subject.
Reviews:
The author challenges Mircea Eliade's position as the designer of
the manual on shamanism, and introduces another grasp on the subject
which goes beyond Eliade's historico-textual approach to the
psychological and structural roots of the phenomenon complex...[Ripinsky-Naxon's]
book is an important contribution to the shamanic literature at the
same time as it will turn out to be, no doubt, controversial....
Here is a fascinating account of shamanism from points of view that
we have little heard of. Dr. Ripinsky-Naxon has placed shamanism in
focus of religion, demonstrated its close connections with different
religious aspects and symbols, and outlined its functions as "a
religious metaphor." It is an impressive work...He has given us
an interesting theoretical manual for shamanic studies. - Ake
Hultkrantz, Journal of Prehistoric Religion, Vol. 8, 1994
This is not a book for the uninitiated who seek a popular account
of "the nature of shamanism." Those familiar with the
subject, however, will find much that is interesting in this
scholarly study of "the meaning and configuration of
shamanistic metaphors" which is the result of the author's
"long-standing interest in the phenomenology and philosophy of
cultural metaphors and symbolic forms." This book requires
careful reading. For example, consider the author's statement of
purpose [p. 2]. "I have attempted here an integrated
examination of the substantive aspect of shamanism as a
phenomenology of religious experience and of its cultural function
as a metaphor in myth, religion, art, and language. These to me
represent both the dynamic factors and products of the ongoing
hominizing process. I have also endeavored, in part, to confront the
transformational forms and processes involved in the development of
the precognitive, unconscious, magico-religious responses and their
gradual transformations into cognitive experiences, which, through a
maze of verbal and nonverbal symbols, such as ritual behavior,
result in the articulation of mystical states, as well as in the
ultimate numinous essence."...The book has 20 black and white
illustrations, 46 pages of notes, an extensive bibliography, and an
excellent index. It will be a useful reference for students of
shamanism. - John Rashford, Economic Botany, Vol. 49, 1995
Michael Ripinsky-Naxon's The Nature of Shamanism is a masterful
reexamination of the roots of shamanism that supplements - and, in
some ways, rivals - Mircea Eliade's classic study Shamanism: Archaic
Techniques of Ecstasy. A comparison to Eliade's work is unavoidable,
partly because both books are monumental scholastic treatises on the
universal nature of shamanism, and partly because Ripinsky-Naxon's
central premise - that psychotropic substances are at the root of
shamanic metaphor - directly challenges one of Eliade's principal
assumptions - that psychotropic shamanism was a relatively recent,
degenerate development...I recommend The Nature of Shamanism both as
a valuable counterbalance to Eliade's Shamanism and as one of the
best-documented cross-cultural studies of shamanism available
anywhere. At the very least, this volume should spark a revolution
in the academic study of shamanism - challenging more scholars to
open their minds to the world of psychotropic shamanism. - Shaman's
Drum
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